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<channel>
	<title>Tendency Towards</title>
	<link>https://tendencytowards.com</link>
	<description>Tendency Towards</description>
	<pubDate>Mon, 08 Jul 2019 21:49:05 +0000</pubDate>
	<generator>https://tendencytowards.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Intro / Next up</title>
				
		<link>https://tendencytowards.com/Intro-Next-up</link>

		<pubDate>Sun, 16 Dec 2018 17:39:57 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Intro-Next-up</guid>

		<description>
	Tendency Towards is an artist-led initiative based in Aberdeen operating a programme of exhibitions, workshops, discussion and
 engagement events nomadically across the city. &#38;nbsp;-&#38;gt; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	







Next up:



A bit of a break.&#38;lt;3&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Projects</title>
				
		<link>https://tendencytowards.com/Projects</link>

		<pubDate>Sun, 16 Dec 2018 17:39:59 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Projects</guid>

		<description>
2020

28 January - 4 April


Haunted by the Ghost of a Flower





2019


4 Jul


Assembly







4 Jun - 16 Jun


LOVEAND...






31 Mar - 28 Apr


Stephanie Mann, Jack McCombe, Madeleine Hope Fraser 
A Room for a Handshake






19 Feb, 5, 19 Mar


Hot Take: Travelling Crit







2018

9 Dec
LUX Scotland + TT&#38;nbsp;
Gripping Wrists

14 - 17 Jun
Christopher MacInness
Sticky Vectors


29 May, 7 SepRoos Dijkhuizen 
Becoming Understood


11 - 27 May

Verity Birt 
Her feet are talons; her hands are unclean




9 - 25 Mar
3/8 
Studio Visit


2017

4 - 18 Nov

Fertiliser</description>
		
	</item>
		
		
	<item>
		<title>Assembly</title>
				
		<link>https://tendencytowards.com/Assembly</link>

		<pubDate>Mon, 08 Jul 2019 21:49:05 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Assembly</guid>

		<description>







&#38;lt;-
	

EventAssembly
4 July 2019The Anatomy Rooms
Marischal College, Shoe LaneAberdeen, AB10 1AN


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&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/61c9c9468b50e89af1139a55a5ec53b31c68f1dc0118fd16e41a5798857dbb07/a-n-Assembly-Aberdeen-448.jpg" data-mid="49235122" border="0"  src="https://freight.cargo.site/w/1000/i/61c9c9468b50e89af1139a55a5ec53b31c68f1dc0118fd16e41a5798857dbb07/a-n-Assembly-Aberdeen-448.jpg" /&#62;


Supported and comissioned by a-n.
 
Supported by All in Ideas. 


Photos: Abby Beatrice Quick.

Marking the first a-n Assembly to be organised by a collective, the event will hear from a range of collaborative projects from across the UK, focusing on the increasing necessity of artists communities to operate in this way.

Since the oil price crash of 2014, Aberdeen has been in the grips of a concerted effort to diversify its economy – and shift its identity – away from the energy sector. This has resulted in the majority of the city’s large-scale cultural venues closing for a period of renovation, including Aberdeen Art Gallery which is currently undergoing a long-delayed expansion project. In place of this institutional presence, grass-roots artist and cultural activity has blossomed, defined by a deeply collaborative community of projects.

The Tendency Towards’ programme highlights collective modes of operation as a radical and necessary approach towards energising, narrating and distributing artists’ agency across communities and geographies.

During the day, invited collective projects and practitioners from across Scotland and the UK will show us how to cultivate communities with endurance and stability, and a circuits-style activation workshop will keep us on our toes. The day provides an opportunity to share collective strategies and foster connections between invited projects, those in attendance and Aberdeen’s developing community of artist-led initiatives.





-&#38;gt;

</description>
		
	</item>
		
		
	<item>
		<title>LOVEAND...</title>
				
		<link>https://tendencytowards.com/LOVEAND</link>

		<pubDate>Sun, 16 Jun 2019 15:31:03 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/LOVEAND</guid>

		<description>







&#38;lt;-
	

ExhibitionLOVEAND...
7 June - 16 June 2019The Anatomy Rooms
Marischal College, Shoe LaneAberdeen, AB10 1AN




&#60;img width="3786" height="2524" width_o="3786" height_o="2524" data-src="https://freight.cargo.site/t/original/i/2bb480e383c436dea9855e923ecd6d11bad5b9c22801ca4b9997028d295202df/DSC_1813.png" data-mid="45000447" border="0"  src="https://freight.cargo.site/w/1000/i/2bb480e383c436dea9855e923ecd6d11bad5b9c22801ca4b9997028d295202df/DSC_1813.png" /&#62;





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&#60;img width="2351" height="3526" width_o="2351" height_o="3526" data-src="https://freight.cargo.site/t/original/i/7fb8f7c8463b884d8f193151b0eb276cbb013836dcf682dbf0ca88f3db752207/DSC_1993.png" data-mid="45001202" border="0"  src="https://freight.cargo.site/w/1000/i/7fb8f7c8463b884d8f193151b0eb276cbb013836dcf682dbf0ca88f3db752207/DSC_1993.png" /&#62;



Supported and comissioned by Look Again Art and Design Festival.
 
Supported by All in Ideas.
LOVEAND... brings together a constellation of enquiries into the apparatus and habits of hyper-capitalist working environments. Centring around a desk-like structure enmeshed in a pod, LOVEAND... is Tendency Towards' first large-scale exhibition commission as a group for the Look Again Festival 2019. The committee have sought to inverse the functionality of office furnishings to create an intimate space in which to contemplate co-working labour realities through the vocabulary of self-improvement. Blending together material and object considerations alongside moving-image, texts and found material from disparate sources of self-care content, LOVEAND... marks a new mode of production for the initiative through a collapsing of artistic production alongside curatorial practice.





-&#38;gt;

</description>
		
	</item>
		
		
	<item>
		<title>A Room for a Handshake</title>
				
		<link>https://tendencytowards.com/A-Room-for-a-Handshake</link>

		<pubDate>Fri, 11 Jan 2019 15:59:35 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/A-Room-for-a-Handshake</guid>

		<description>







&#38;lt;-
	

Exhibition

Madeleine Hope Fraser, Stephanie Mann, Jack McCombe 
A Room for a Handshake
31 March - 28 April 2019Look Again Project Space32 St Andrew StreetAberdeen, AB25 1JA
Opening Evening: Sat 30 March, 6 - 8pm

Visit: &#38;nbsp;Thu 5-8pm, Fri - Sun 11am - 5pm


&#60;img width="1511" height="818" width_o="1511" height_o="818" data-src="https://freight.cargo.site/t/original/i/d23c3226ba231399b0b6dd3d548efd562c33afa0b0c9bfedc8ad590123a58198/54434268_305787453465145_8959027859326763008_o.jpg" data-mid="38527284" border="0"  src="https://freight.cargo.site/w/1000/i/d23c3226ba231399b0b6dd3d548efd562c33afa0b0c9bfedc8ad590123a58198/54434268_305787453465145_8959027859326763008_o.jpg" /&#62;


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&#60;img width="4022" height="3016" width_o="4022" height_o="3016" data-src="https://freight.cargo.site/t/original/i/e572e8b0b63e63f76e8b2339b7dc0eb0ee542d5d35cc3d285f23dae00c26240a/IMG_20190423_193029.jpg" data-mid="242513067" border="0"  src="https://freight.cargo.site/w/1000/i/e572e8b0b63e63f76e8b2339b7dc0eb0ee542d5d35cc3d285f23dae00c26240a/IMG_20190423_193029.jpg" /&#62;




www.stephaniemann.co.uk

www.madeleinehopefraser.com 
www.jackmccombe.com 

Supported by Aberdeen City Council's Creative Fund and Look Again.
Tendency Towards presents newly commissioned sculptural, text and sound works by Madeleine Hope-Fraser, Jack McCombe and Stephanie Mann jointly investigating the formation and narration of communal architectures. Considering the role artist-led spaces play in forming local cultural identities, A Room For a Handshake envisages exhibition-making as a framework for supporting artist actions. A programme of activations including a weekly guided library, shared meals, artists workshops and advice sessions delivered jointly by Look Again and Tendency Towards will populate the projects’ month long run at Look Again’s new city-centre project space. 

Madeleine Hope-Fraser, Jack McCombe and Stephanie Mann all investigate materiality, objects, space and thingliness within their practices in multi-disciplinary methods. Covering site-specific installations, sculpture, text, performance and video, their practices are broad and explorative in their approach to exhibitions
Creating work collectively, Hope-Fraser and McCombe both studied at Glasgow School of Art, now based jointly in Toronto and Glasgow; Stephanie Mann is based in Edinburgh, currently participating in the inaugural two-year Talbot Rice Residents Programme. 
A Room For a Handshake is a continuation of projects by Tendency Towards investigating the formation, operation and working methods within artist communities, often specifically looking at the emotional labor involved in contemporary collective visual arts practices.





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</description>
		
	</item>
		
		
	<item>
		<title>Hot Take</title>
				
		<link>https://tendencytowards.com/Hot-Take</link>

		<pubDate>Fri, 11 Jan 2019 15:59:24 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Hot-Take</guid>

		<description>




&#38;lt;-

EventHot Take: Travelling Crit
19 February, 5, 19 March 2019 
7pm - 9:30pm







&#60;img width="405" height="270" width_o="405" height_o="270" data-src="https://freight.cargo.site/t/original/i/f19f25960ee11fe3ffac07d23ce1511f6f6f60bd4c15a073cf907fb6200bf1f3/Sweating.jpg" data-mid="33420376" border="0"  src="https://freight.cargo.site/w/405/i/f19f25960ee11fe3ffac07d23ce1511f6f6f60bd4c15a073cf907fb6200bf1f3/Sweating.jpg" /&#62;

Hot Take is a meandering crit open to practitioners based in Aberdeen, moving between the multitude of spaces emerging artists occupy.&#38;nbsp; Tendency Towards recognises that studio and working space is a premium within the makeup of Aberdeen’s creative ecology, leading to a lack of resources for critical feedback and exposure for those who choose - or have no other option - to work nomadically or informally. 







We invite creative practitioners, inclusive of visual artists, designers, musicians, coders and collectives, to spend every second Tuesday evening together between 19th February and 19th March to present projects or individual works which they feel are in need of feedback. Hot Take will travel between three sites each evening, which can be your flat, studio, cafe - wherever your practice is currently based. 
It is free to take part in Hot Take but essential to reserve your space. For this initial trial period we are seeking 9 participants*, and we ask that you can commit to coming to every evening. &#38;nbsp;


 

The sessions are open to collectives or groups, a place on the crits will be treated as one individual. Sessions will be arranged around proximity of working spaces, with an attempt made to not stay in the same location (i.e not staying in the same studio complex).&#38;nbsp;

Session format:
Tuesday 19th Feb, 5th, 19th March 7pm - 9.30pm 3 slots per session10 mins presentation, 20 mins feedback


&#38;nbsp;Applications should be submitted by 6pm, 10th February.

To apply please send a document (up to 300 words) to 

tendencytowards@gmail.com 

introducing yourself, project or work you are seeking feedback for, and contact details. Also include where you would like the crit to take place (your flat, specific cafe or studio complex). This information is purely for planning purposes and will not be shared with any group or organisation outside of Tendency Towards.&#38;nbsp;


Find the FB event here.





*We are seeking to reserve these slots for those currently not studying on a full-time course, and ask students not to book places at this time. We are working on a format for the future which can be inclusive of students.









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	</item>
		
		
	<item>
		<title>Gripping Wrists</title>
				
		<link>https://tendencytowards.com/Gripping-Wrists</link>

		<pubDate>Sun, 16 Dec 2018 17:40:00 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Gripping-Wrists</guid>

		<description>



&#38;lt;-
&#38;nbsp;ScreeningGripping Wrists

9 December 2018Belmont Filmhouse49 Belmont StAberdeen AB10 1JS&#60;img width="1000" height="563" src="https://freight.cargo.site/w/1000/i/790e11866ff40790e10c3dde3f5c5cb597c83aa8c923c59913047301ca4eee16/Stephanie-Mann---A-conglomorate-of-voices-rise-up-like-hidden-steam-2016_Moment5.jpg" style="width: 714px; height: 401.98199999999997px;"&#62;Stephanie Mann, A conglomerate of voices rise up like hidden steam, 2016 / Image courtesy of the artist 

www.luxscotland.orgSupported by Aberdeen City Council and LUX Scotland.Images by Grant Anderson.



Gripping Wrists is a screening of artists’ moving image works programmed by artist-led initiative Tendency Towards. Focusing variously on the production of desire, rituals and mechanisms, as well as the influence of mythology and storytelling on social constructs, the works in the programme share an interest in the narrative of communal spaces, exploring the conjunction of language and physical staging.Gripping Wrists marks the first stage in a series of curatorial research projects that Tendency Towards is undertaking, that reflect on organisational and relationship structures within artist-led initiatives and their wider publics.Programme:Michaela Cullen &#38;amp; Declan Colquitt, Double Dropping on a Phantom Island, 2018. HD video, 18 min 26 secWinnie Herbstein, Circling Roads, 2016. HD video, 7 mins 48 sec.Delaine LeBas, I Bequeath Myself to the Dirt to Grow the Grass That I Love, If You Want Me Again Look for Me Under Your Boot Soles, 2014. SD video, 5 minGweni Llwyd &#38;amp; Marged Tudur, Croeso i Gaernarfon, 2018. SD video, 5 minsStephanie Mann, A Conglomerate of Voices Rise Up Like a Hidden Stream, 2016. HD video, 2 min 52 secRehana Zaman, Lourdes, 2018. HD video.





-&#38;gt;
</description>
		
	</item>
		
		
	<item>
		<title>Christopher MacInness</title>
				
		<link>https://tendencytowards.com/Christopher-MacInness</link>

		<pubDate>Sun, 16 Dec 2018 17:40:01 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Christopher-MacInness</guid>

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&#38;lt;-
	

ExhibitionChristopher MacInnes
Sticky Vectors

14-17 June 2018Dissection RoomThe Anatomy RoomsQueen StreetAberdeen, AB10 1AP

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www.christophermacinnes.comSupported by Look Again, Creative Scotland, Aberdeen City Council and RGU Art &#38;amp; Heritage Collections. With thanks to Citymoves.
Images by Grant Anderson.Sticky Vectors by Christopher MacInnes creates a garden of contamination that draws on both the languages of networked technologies and microorganic life to envision a possible post-human future state of existence that expands upon the bodily context of the historic Dissection Room.The installation comprises a micro-ecosystem of screens, computer cases, organic and plastic matter spread across the floor, clinging to the fixings of the space. Continually feeding on deep-neural nets that skim streams of information to independently produce strange, collapsed and ever evolving imagery. The garden visualises not only its own state of existence, but sets out to produce a loose narrative on its evolution and history.Sticky Vectors attempts to refigure the notion of contamination as an ecstatic becoming, growing forth from our composted carcasses to create something new and in doing so proposes that progress might not include us.Christopher MacInnes’s practice continually looks to deconstruct video and image media, and the infrastructures and processes that support it. His works push through the non-time of algorithms, and draw connections between networked technologies and the human/organic structures from which they both grow and influence in late-capitalism.







-&#38;gt;

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	<item>
		<title>Roos Dijkhuizen</title>
				
		<link>https://tendencytowards.com/Roos-Dijkhuizen</link>

		<pubDate>Sun, 16 Dec 2018 17:40:02 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Roos-Dijkhuizen</guid>

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&#38;lt;-Workshop &#38;amp; Event

Roos Dijkhuizen

Becoming Understood / Becoming Known


29 May 2018&#38;nbsp;

42 St Andrew StreetAberdeen, AB25 1JA

/

7 September 2018

No. 8Aberdeen, AB10 6RD
&#38;nbsp;
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www.roosmariedijkhuizen.tumblr.com
&#38;nbsp;Supported by Aberdeen City Council.
Images by Tendency Towards.Exhibition and&#38;nbsp; flag making workshop Becoming Understood lead by artist Roos Dijkhuizen encouraged participants to reflect on the term ‘becoming’. Collectively the group created a collaborative flag 

 to later be distributed to artist-run organisations across Scotland.&#38;nbsp; Prior to distribution, the outcome of the workshop was celebrated with an exhibition and potluck dinner at the artist-run space No. 8.Roos Dijkhuizen is an artist using print and installation to create curious objects that look at jarring natural states and alternating communities, in nature and in human constructs. Roos uses various materials and processes to bring together possible overlaps and scales of existing and disembodied worlds. Her ways of analysis involve collaboration and collective making, to be present in an exchange and reshaping of perception and the collective action that can occur made via these things.Her interest in the subject of becoming , all possibilities and all people to embody a direction of transformation , can also be described as a becoming which never becomes, a transitive sensation - the flight - becoming-animal , becoming-woman , becoming-molecular , a becoming which is neither evolution or asymptote but a certain turning / turning inward / turning out of it / turning at last. (extract from The Argonauts.)




-&#38;gt;





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		<title>Verity Birt</title>
				
		<link>https://tendencytowards.com/Verity-Birt</link>

		<pubDate>Sun, 16 Dec 2018 17:40:07 +0000</pubDate>

		<dc:creator>Tendency Towards</dc:creator>

		<guid isPermaLink="true">https://tendencytowards.com/Verity-Birt</guid>

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&#38;lt;-


ExhibitionVerity Birt
Her feet are talons; her hands are unclean.With live performance by Alys North


11 - 27 May 2018 42 St Andrew StreetAberdeen, AB25 1JA



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veritybirt.co.uk


Supported by Aberdeen City Council and Peacock Visual Arts.
Images by Donald Butler.


Her feet are talons; her Hands are Unclean was a solo show by Verity Birt comprising new commissions as well as works from her solo show Deformation Attends Her at Blacktower Projects, London.

Her feet are talons; her hands are unclean takes its title from an ancient invocation to a chthonic shapeshifting goddess whose transformative bestial identities span across culture and mythology (Hecate, Kali, Lilith, Morrigan, Lamashtu…) The spell or curse invokes the wanton goddess to be bound, tamed and seduced, thus dissolving her power and abating her wrath. In this work, Verity Birt creates an altar-like surface with offerings to this theriomorphic femme, and speaks an invocation to subvert the curse. In the video, zoomorphic artefacts are digitally shifting behind ritualised gestures of shadow animals frequently embodied by women in mythology.Deformation Attends Her is an enquiry into the prehistoric sites and rock art features embedded in Northumberland’s landscape. Birt seeks to summon their potential as places of ritual culture that predate a patriarchal and exploitative relationship with nature. By drawing upon practices that have been historically suppressed and encouraging reciprocal and non-hierarchical relations between bodies and landscape, the artist speculates on what knowledge these sites might transfer if addressed with more intuitive, playful and collective actions.The video work centers on the site-specific dance of artist and choreographer Alys North, guided by the marks and patterns carved into the prehistoric stone which stages her. North’s movements form the foundation for a mapping of the site and are engraved onto the surface of acrylic discs that hang in the space. The discs suggest a visual score - they trace North’s movements and their relationship to the landscape alongside archaeological illustrations of earthworks, cartographic mappings and astrological signs.&#38;nbsp;The sound piece has been developed in collaboration with SHE, a women’s community choir in Newcastle upon Tyne. Through a series of workshops taking place on a carved prehistoric rock channel, Birt worked with the collective to draw upon the energy of the site using vocal improvisation techniques. The work recalls the oral dissemination of women’s history, resonating acoustically and communally through oral traditions. The ceramics in the exhibition embody a tactile recollection of the channel where the sound was recorded. Birt worked at the clay to create fragments of the experience from memory, providing a sculptural counterpart to the acoustic space conjured by the women’s voices.

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